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- REVIEWS, Page 91SHORT TAKES
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- MAGAZINES: New Menu at Tina's Place
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- We have just heard from our old friend the Magazine Maven.
- "The NEW YORKER," he writes, "is the journalistic equivalent of
- a restaurant under new management. The new maitresse d' is Tina
- Brown, lately of Vanity Fair, where she offered a heady mix of
- roadhouse and haute cuisine. She has replaced Robert Gottlieb,
- whose fern-bar ambiance left customers hungry for less. Brown's
- detractors have been hoping for the souffles to fall and the
- drinks to be watered at Tina's Place, but her debut last week
- will disappoint them.
-
- "True, there is James Wolcott's ghastly hype-hop prose: `
- "Going to Extremes" . . . mentholates the senses like a Club Med
- ad.' Plus some slipshod editing: two Dan Quayle `potatoe'
- jokes. But broken columns, boxed poems and spots of color and
- photographs enhance rather than vulgarize. Pieces are shorter
- than before but cut deeper -- especially `News from Hell,'
- concerning the events in Sarajevo by new contributor Anna
- Husarska. Yet tradition has not been entirely scrapped: see
- Roger Angell's valedictory to Fay Vincent, recently decapitated
- commissioner of baseball. Miraculously, after a long arid spell
- the cartoons are funny again -- particularly those by Lee
- Lorenz, Danny Shanahan and Leo Cullum (`This is my husband,
- Greg, and Greg's jacket from a previous marriage').
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- "John Updike, who has served under three New Yorker
- managements, contributes `Playing with Dynamite,' a poignant
- tale of aging in the '90s. Its last six words might describe the
- current situation at the New Yorker: `. . . between chaos and
- an airier pantheon.' It is too early for a prediction, but I'd
- bet pantheon."
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- MUSIC: The Royal Cello
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- The great Catalan cellist Pablo Casals is rightly credited
- with elevating the cello to its royal status as a solo
- instrument, so it is only fitting that Pearl records pays him
- homage by beginning its six-CD set, The Recorded Cello: The
- History of the Cello on Record, with his evocative 1915
- performance of Schumann's Traumerei. Among the 74 other masters
- represented here are Enrico Mainardi, whose version of Dvorak's
- Concerto in B minor is stately and deeply hued; and Gregor
- Piatigorsky, playing variations on Paganini with heart-skipping
- joy. All the tracks demonstrate the delicate timbres and subtle
- nuances that make the cello one of the most majestic of all
- instruments.
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- BOOKS: Lifesaving Instruction
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- Here is the unlikeliest good novel of the year. The
- wambling hero of Walter Kirn's SHE NEEDED ME (Pocket Books; $20)
- is a pale young fellow named Weaver Walquist, who, becalmed and
- lacking direction, joins the antiabortion protest squad of an
- evangelical church in St. Paul, Minnesota. He collides with a
- pregnant young woman named Kim during a protest at an abortion
- clinic, and at first is attracted to the idea of saving her
- fetus and her soul. Then, faintly -- a puff of wind ruffles the
- calm -- he is attracted to her. Kirn, author of a 1990 story
- collection, My Hard Bargain, plays fair with both the churchly
- and the wicked -- middling people in an everyday predicament.
- His story is shrewd and wryly amusing.
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- CINEMA: Heroic Deeds
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- In the not-so-brave new world according to Hero, it
- requires two men to equal one classic Frank Capra protagonist
- of the Deeds-Doe-Smith variety. There is small-time thief Bernie
- LaPlante (Dustin Hoffman), who unaccountably rescues victims of
- a plane crash. Then there is homeless John Bubber (Andy Garcia),
- who gets the credit for so doing and becomes a media dream.
- Geena Davis is the ambitious TV reporter caught in the
- contradictory flow of this dark, quirky, excellent comedy.
- Writer David Webb Peoples (Unforgiven) overturns the cliches of
- genre and character, and director Stephen Frears (My Beautiful
- Laundrette) ingeniously twists Capra-esque imagery to create an
- exhilarating meditation on gallantry as it is practiced and
- perceived today.
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